Ensemble, 2026
Snedkernes Efterårsudstilling 2026 - Lys & Form / The Cabinetmakers’ Autumn Exhibition 2026 - Light & Form
Ordrupgaard Museum, København / Copenhagen
Collaboration with cabinetmaker Christian Street
Materialer / Materials: Uld, hør, silke. Uld i flere varianter, fra filtet uld til spundet uld/silke samt alpaca og merinould. Dansk elm. / Wool, linen, silk. Several types of wool, from felted wool to spun wool/silk as well as alpaca and merino wool. Danish elm.
Mål / Measurements: 73 x 100 x 100 cm (H x L x D)
Om Ensemble / About Ensemble
Materialevalg, der skaber forskellige lys- og skyggevirkninger. To håndværk samlet om en fælles vision. Tekstilet er skabt med forskellige garner, som fanger og gengiver lyset med hver sin personlighed. Møblet er inspireret af den analoge vævs konstruktion. Det giver plads til rumlige lysindfald, og møblets form opleves varieret fra forskellige vinkler. Et værk skabt i en organisk proces på vores fælles værksted. / Materials that create different light and shade effects. Two crafts combined to give shape to a common vision. The textile was created using different yarns that catch and reflect the light, each with its own personality. The piece was inspired by the construction of the analogue loom. That leaves room for spatial influxes of light, and the shape of the piece appears differently when seen from different angles. A piece of furniture created in an organic process in our shared workshop.
Thank you to Merida Studio for all the beautiful yarns
Foto / Photo Peter Vinther
Årstidernes Vekslen / Changing Seasons, 2026
Charlottenborg Forårsudstilling / Charlottenborg Spring Exhibition 2026
Kunsthal Charlottenborg, København / Copenhagen
Materiale / Material: Linen
Foto / Photo Peter Vinther
Alice, 2025
Snedkernes Efterårsudstilling 2025 - Transformation / The Cabinetmakers’ Autumn Exhibition 2025 - Transformation
Thoravej 29, København / Copenhagen
Med barnets fantasi skabte Alice en eventyrverden fyldt med sanseindtryk og vidunderlige karakterer. På en skovtur med sin søster transformerede hun en helt almindelig hverdag til noget smukt og særligt. Jeg transformerer det restmateriale, der er til overs fra min maskinvævede hørkollektion, til en skammel eller et lille bord og giver mit tekstilaffald nye funktioner og ny værdi. Alice er håndvævet på min analoge væv i en teknik, hvor man med en enkel opbinding af væven er i stand til at skabe frie figurer med skytter. Teknikken stammer fra Mellemøsten og blev brugt helt tilbage i det 4. århundrede f.Kr.
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With a child’s imagination, Alice created a fairy-tale world full of sensory impressions and wonderful characters. On a picnic with her sister, she transformed ordinary everyday experiences into something beautiful and exceptional. I have transformed the excess material from my machine-woven linen collection into a stool or small table, thus adding new purpose and value to the textile waste. Alice was hand-woven on my analogue loom in a technique that lets the weaver create free figures using shuttles and simple warping. The technique comes from the Middle East, where it was practised as early as during the 4th century BCE.
Tak til / Thanks to Ella Schneider, praktikant på mit værksted / intern in my workshop
Materialer / Materials: Papir og hør / Paper and linen
Mål / Measures: 48 cm (H), base 28 cm (Ø), top 45 cm (Ø)
Foto / Photo Peter Vinther
Foldestol 1 / Folding Chair 1, 2024
Snedkernes Efterårsudstilling 2024 - (R)evolution / The Cabinetmakers’ Autumn Exhibition 2024 - (R)evolution
Spor10, København / Copenhagen
Design: Foldestol / Folding Chair Erling Christoffersen. Tekstil / Textile Karin Carlander
Materialer / Materials: Rustfrit stål, tekstil håndvævet i Raadvad i certificeret fransk hør. / Stainless steel, textile hand-woven in Raadvad in certified French linen.
Foto / Photo Peter Vinther
Årstidernes Vekslen / Changing Seasons, 2023
Hand-woven textile installation for the exhibition "KÆDE" at The Johannes Larsen Museum
100 % French linen
Dimensions: 1400 x 350 cm
Photo Dorte Krogh
Stejlepladsen / Drying Ground, 2023
Hand-woven textile installation for the exhibition KÆDE at The Johannes Larsen Museum
Mounted on pine wood made by cabinetmaker Christian Street
100 % French linen
Dimensions: 300 x 200 cm
Photo Dorte Krogh
Jøvet, 2023
A site specific area at Fyns Hoved, Denmark where stones of many different sizes and formations lie along the coast
Hand-woven textile installation for the exhibition KÆDE at the Johannes Larsen Museum
100 % French linen
Stuffing used down duvets from Red Cross charity shop
Dimensions: 250 x 250 X 10-90 cm
Photo Dorte Krogh
Fuga, 2023
Hand-woven textile installation for the exhibition "KÆDE" at The Johannes Larsen Museum
100 % French linen
Dimensions: 300 x 160 cm
Photo Dorte Krogh
Tokyo Warps, 2018
Textile installation for the exhibtion Karin Carlander at Spiral / Wacoal Art Center, Tokyo, Japan
100% French linen
Dimensions: 300 x 150 cm
Photo Ole Akhøj
Warp, 2017
Textile installation for the exhibition CHROMA at Kerteminde Art Association
'Is black hopeless? Doesn't every dark thundercloud have a silver lining? In black lies the possibility of hope.' Derek Jarman
100 % French linen
Dimensions: 280 x 150 cm
Photo Dorte Krogh
Cube, 2017
Textile installation for the exhibition CHROMA at Kerteminde Art Association
'Red protects itself. No colour is as territorial. It stakes a claim, is on the alert against the spectrum.' Derek Jarman
100 % French linen
Dimensions: 90 x 90 x 90 cm
Ceramic installation by Lea Mi Engholm
Photo Dorte Krogh
Sashiko, Zigzag and Yinyang, 2017
Textile installation for the exhibition CHROMA at Kerteminde Art Association
'Blue light. A spectral light. Leni's full moon falling through a crystal grotto in the High Dolomites. The villagers draw their curtains against this blue. Blue brings night with it. Once in a blue moon ...' Derek Jarman
100% French linen
Dimensions 120 x 100 cm
Ceramic installation by Lea Mi Engholm
Photo Dorte Krogh
Furoshiki, 2017
Textile installation for the exhibition CHROMA at Kerteminde Art Association
'Daffodil yellow. Primrose yellow. The Yellow Rose of Texas. Canary bird. Rape and rattle. Yellow hot as mustard.' Derek Jarman
100% French linen
Dimensions 220 x 120 cm
Photo Dorte Krogh
Linsey Woolsey, 2011
Handwoven rugs with reference to Danish farmers everyday textiles.
Exhibited at “I tråd med tiden – Væv 2011” at Museum for Modern Art, Hobro
Norwegian spelsau wool. The brown colour is the sheep’s own natural colour.
The Norwegian spel sheep can be traced back to the Iron Age. Wool from this sheep has a special long fiber with high wear resistance. The fibers can be up to 45 cm long.
The rug measures 120 x 110 cm and 100 x 420 cm
Photo Ole Akhøj
Graphic, 2010
Hand-woven rug collection. Ordering Task for Dan-Broker, Seasafe Ship Consult A/S in 2010
Norwegian spelsau wool
The Norwegian spel sheep can be traced back to the Iron Age. Wool from this sheep has a special long fiber with high wear resistance. The fibers can be up to 45 cm long.
Dimensions: 130 x 240 cm
Photo Ole Akhøj
Growing, 2008
Officinet, Copenhagen
Materials: Linen and paper
Foto / Photo Ole Akhøj
Fringe on the Edge, 1999
Hand-woven rug exhibited at “New Scandinavia - Actuelles Design aus dem Norden” at Museum für Angewandte Kunst, Köln and Die Neue Sammlung, München 1999.
Hand dyed Norwegian spelsau wool
The Norwegian spel sheep can be traced back to the Iron Age. Wool from this sheep has a special long fiber with high wear resistance. The fibers can be up to 45 cm long.
Dimensions: 120 x 220 cm
Photo Ole Akhøj
Abra Kadabra, 1998
Hand-woven rug exhibited at OCTO Scandinavian Furniture Fair, Copenhagen 1996 and The Georg Jensen Prize, Designmuseum Denmark, Copenhagen, 1998.
100% Sisal
Dimensions: 150 x 650 cm
Photo Ole Akhøj
Taqueté, 1994
Hand-woven textile installation of door mats and runners
Exhibited at 4th International Textile Competition ´94 Kyoto, Japan
Hand-dyed sisal and flax
Dimensions: 270 x 150 cm
Photo Ole Akhøj
Morocco Pillow, 1995
Hand-woven stool exhibited at Duplika, Marokkopuder, DAC, awarded by The Danish Art Foundation. Sold to the Marc Grainer Collection, USA
Paper yarn hand-dyed and natural colour
Photo Dorte Krogh
Line Games, 1989
Hand-woven rug exhibited at “KE, The Artists´ Autumn Exhibition”, Den Frie, Copenhagen 1989 and “Møbler og Tekstiler”, Overgaden, Institute of Contemporary Art, Copenhagen 1990
Hand-dyed Norwegian spelsau wool and silk
The Norwegian spel sheep can be traced back to the Iron Age. Wool from this sheep has a special long fiber with high wear resistance. The fibers can be up to 45 cm long.
Dimensions: 120 x 240 cm
Photo Ole Akhøj
